Ritual Theatre as a theatre of healing

Sedna and Shaman by Ann Beam
From Elizabeth Fuller’s ritual theatre performances

Ritual theatre is one of the most ancient forms of healing that is still practised in tribal societies today. Since the earliest times, ancient people healed themselves and explored what they couldn’t understand about the world through dramatic ritual. Such were the beginnings of ritual theatre.


Much later the Ancient Greeks developed these into Dionysian rites which eventually evolved into theatre because the Greeks very clearly saw that it was necessary and healthy for the wellbeing of their society for emotions to be released.  This was the sole/soul purpose of the performance.

Theatre has developed considerably from these origins so that nowadays we equate theatre more often with being entertained. It is unlikely that we will associate theatre with healing or being changed ourselves.

And yet ritual theatre is even more important and relevant in contemporary life – and this is why I and many others believe ritual theatre is coming back.

Why We Need Ritual Theatre

As we advance further in science and technology and the faster our world becomes, the more we need to find some kind of balance between these sophisticated and our human-ness.

Malidoma Somé, the author of many books on ritual, says this more very forcefully – “the Western Machine Technology is the spirit of death made to look like life”. He says we need to return to our spiritual roots or we lose ourselves. And this is most effectively achieved through ritual.

Malidoma Somé

Ritual theatre is a way of restoring this energy and returning us to our spiritual roots in a contemporary way that is acceptable to a western lifestyle because its form is familiar to the vast majority of people.  Everyone understands what theatre is and its purpose, even if they’ve never been in a theatre.

Ritual theatre too spawns a rare quality: a quality of soul. Soul connects us with our ancestors throughout time, it connects us with others in shared experiences, and it connects us to the deepest parts of ourselves. Many of us are hungering for this, are hungering for this connection – aware what the technological is doing to us, making us more and more disconnected, more in our heads, producing tremendous suffering under the labels of stress, fatigue and health problems.

But when we participate in a ritual theatre event we move away from the event feeling that something profound in us has shifted, emotions may have flowed, we have laughed, danced and played, or we have found a new, softer side of ourselves.

It may have enabled us too, to leave behind the trauma of a painful experience. We feel elated, inspired and invigorated, as if we have entered into a new state of being. We have in fact accessed an altered state of consciousness similar to the states that shamans induce in their powerful healing ceremonies that draws us to contemplate our deeper nature,

What is Ritual Theatre?

So what exactly is ritual theatre, and how does it differ from a classic theatre experience?

Ritual theatre quite simply is the enactment of a myth or archetypal story with the intention of bringing about healing – usually to resolve an issue; to deal with a difficult life experience; to restore depleted energies, or to ease a transition.

Anyone can participate in a ritual theatre, and it requires no particular ability or talent other than an open heart and a willingness to allow the journey to unfold.

The kind of ritual theatre that I am mostly talking about occurs behind closed doors of a workshop room or a private space where participants are also witnesses and onlookers of the ritual drama. It can also take place in a hospital, a school, or in the community enabling marginalised groups to reintegrate into society.

ritual theatre making moves
Exploring Jason and the Golden Fleece during one of my performance courses using ritual theatre.


However, it can equally be a ritual performance before an audience involving large numbers of people. An example of such an event was the Cosmic Celebration, a vast mythic pageant, “celebrating the unity of all religious paths and the human family” which was initiated in the seventies by Pir Vilayat, a Sufi Master and was performed worldwide to thousands.

This also included up to 350 people from the local community who took part in the performance – so it was truly a ritual experience. The Cosmic Celebration was also performed at St James Church, Piccadilly which for the last 30 years has been hosting the inspirational Alternatives talks featuring key authors/speakers in the mind/body/spirit arena. (A chapter on this ritual theatre production features in the book. See picture below) This is a very different kind of experience to a normal theatre performance.

From “The Cosmic Celebration”, a ritual theatre pageant. See Chapter 18 by Saphira Linden

Ritual Theatre takes participants on a mythic journey through which they can experience and explore the many parts of themselves diving into mythic adventures of monsters and heroes. It follows the patterns of the Hero’s Journey uncovered by Joseph Campbell, based on Carl Jung’s discoveries of how myth expressed the collective unconscious through which powerful healing of the psyche and soul could take place.

Ritual theatre brings the theatre element to Jung and Campbell’s discoveries enabling participants to express the collective unconscious through playing out powerful archetypal stories.  This is potent, facilitating the healing of psyche and soul and much closer to the kind of ritual healing ceremonies that took place in ancient times and in tribal societies.

Ritual Theatre Book

SchraderRitualTheatre9781849051385This is all explored in further depth in the book I edited  Ritual Theatre, The Power of Dramatic Ritual in Personal Development Groups and Clinical Practice which was published in the UK by Jessica Kingsley Publishers and includes chapters from leading dramatherapists including Sue Jennings, healing theatre pioneer and author of many books.

Since the publication of the book, I have been heartened that many readers have written to me telling me the book has changed their life and awakened them to the power of ritual theatre.

This is what film maker and author Phil Cousineau (who worked with Joseph Campbell) says about the book:

Claire Schrader’s new book on the healing aspects of ritual theatre fulfils Joseph Campbell’s vision of a re-mythologized world, one in which we would be, as he loved to quote Cezanne, more “in accord with nature.
Phil Cousineau, author of The Hero’s Journey: Joseph Campbell on his Life and Work, Wordcatcher, and The Art of Pilgrimage

© Claire Schrader 2011
Edited and republished 2013

If this post has intrigued you, or if you have any questions, or there’s something you’d like to share, please do leave a comment.

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